From an older post

Jeannie

Super Moderator
This was posted by Ardeagold on 2/22/05. I have kept it marked bacause it was so informative. I thought I would bring it here. Hope you don't mind Donna.

One of the "camera savvy" members started a topic "Lesson One...Camera Settings" and then it went on and on. To the point of having lessons with assignments for the rest of us.

The forum title became "Shooting the Golden"...and is extremely popular. After the first lesson and the attendant questions and answers, we were required to post "Near and Far" photos (in a different thread) along with our "entries" with the name of the camera, lens used and settings used. Then they were "critiqued"...nicely! LOL

Here's the first lesson from Wendy (a photo buff member of ours):

Since this has come up a few times, I put some time into explaining camera basics: SHUTTER SPEED AND APERTURE SETTINGS. Hope this is helpful!



First off, the difference between the SLR and P&S:

SLR vs. Point and Shoot

There are two types of consumer cameras on the market -- SLR cameras and "point-and-shoot" cameras. The main difference is how the photographer sees the scene. In a point-and-shoot camera, the viewfinder is a simple window through the body of the camera. You don't see the real image formed by the camera lens, but you get a rough idea of what is in view.

In an SLR camera, you see the actual real image that the film will see. If you take the lens off of an SLR camera and look inside, you'll see how this works. The camera has a slanted mirror positioned between the shutter and the lens, with a piece of translucent glass and a prism positioned above it. This configuration works like a periscope -- the real image bounces off the lower mirror on to the translucent glass, which serves as a projection screen. The prism's job is to flip the image on the screen, so it appears right side up again, and redirect it on to the viewfinder window. (From howstuffworks.com)



Aperture: The size of the the hole the camera uses as you take a photo.

The aperture control is commonly referred to as “F-Stops”. Now this is the confusing part: as the F-stop number goes up, the opening actually gets smaller. F45, F22, F16, F8, F5.6, F4, F2.8 are examples are F-stop settings. Of this list, F45 has the smallest opening and F2.8 has the largest opening.



Aperture size – so what???

The smaller the hole, the more in-focus your photo ENTIRE will become.

· Ansel Adams was famous for his crisp, clear landscape photos with focus that went on forever. He typically used F64, F 45….

Photo Example

When the hole is larger, the focus is more selective.

· Portrait photographers usually use smaller F-stop (bigger hole) settings, so the focus of the subject (face, object) is in focus, but the background may be a little blurry.

· Example (notice Chili's nose is in focus, but his eyes are starting to blur and the background is totally out of focus):
Photo Example #2

Remember, when the hole is larger, it lets in MORE LIGHT!!! (F1.8, F2.8)

When the hole is smaller, it lets in LESS LIGHT. (F 22, F45)



An interesting fact is that a higher F-stop number lets in half as much light as one number lower. For example, F5.6 admits twice as much light as F8, while F11 lets in only half as much.



Shutter Speed: How fast does the camera shutter open and close?

The shutter is basically the “door” that allows light through the camera to the sensor/film in order to record the desired image.



Shutter speeds can range from 1 second or more, to 1/10,000 of a second, depending on camera.

Higher speeds are needed on bright, sunny days.
If you try to use a slower shutter speed on a very bright day, your photo will likely be very over exposed.
Lower speeds are needed indoors, or in darker situations. Typically, most people can’t hold the camera still for 1/30 of a second, or slower. If you run into a situation in which you need very slow shutter speeds, you should use a tripod. This photo was shot at ½ second, using a tripod:

Photo Example #3

How aperture and shutter speed work together!

Aperture works by limiting the physical SIZE of light allowed into the camera.

Shutter speed works by limiting the time the light is allowed into the camera.



Aperture Priority: Setting on your camera that allows YOU to choose the aperture you want to work with; shutter speed will be automatically determined

As the aperture size increases (smaller F-stop, larger hole), the required shutter speed needed to make the correct exposure** will decrease.
Bigger hole = more light à needs a faster shutter



As the aperture size decreases (higher F-stop, smaller hole), the required shutter speed needed to make the correct exposure will increase.
Smaller hole = less light à needs slower shutter



Shutter Priority: Setting that allows YOU to choose the shutter speed you want to work with; aperture setting will automatically be determined.

As the shutter speed increases (faster shutter, less light), the required aperture setting to make the correct exposure will increase.
Faster shutter = less light à needs a larger hole (lower F-stop)

As the shutter speed decreases (slower shutter, more light), the required aperture setting to make the correct exposure will decrease.
Slower shutter = more light à needs smaller hole (higher F-stop)



To put some real numbers to these theories, the following settings will all result in roughly the same exposure:



Aperture F22 F16 F11 F8 F5.6

Shutter 1/30 1/60 1/125 1/250 1/500



**The camera has a complicated metering system for determining the correct exposure. There are ways to over-ride or fine tune this, but for the purpose of this discussion, this is irrelevant.



Summary

Understanding the basic aperture/shutter relationship will make you less dependent on having to use the manufacturer’s pre-settings. In fact, if you think about it , many of today's SLRs with their 'auto programs' are really just expensive point and shoots! Learn the basics and make full use of your camera!
 

ardeagold

New member
No problem at all...it's from a friend of mine on our Golden Forum. She was helping us understand the most basic of the basics.

I believe there were a couple of more lessons too...so if I can find them, I'd be happy to post them if it's okay. She's okayed sharing the information!
 

ardeagold

New member
Ok...here's lesson #2:

PHOTO COMPOSITION

Since I discussed it in another post, I thought I'd do another "lesson". There are a few basic tips here..there are many more out there, but this is a good start. Probably the techniques I employ most often.? After using them for a few times, they will become second nature to you!

1. The Rule of Thirds

This is one of the most popular rules used in composing photos. The idea is that you visually divide the shot you want to take into thirds, both horizontally and vertically. This will create 4 intersecting points.


Example: http://www4.pbase.com/wendym/image/39257295.jpg

By putting your subject near one of these 4 points, as opposed to in the center of the frame, you may create a more interesting photo. Which of these is more interesting to you?

#1:? http://www4.pbase.com/wendym/image/39257222

#2:? http://www4.pbase.com/wendym/image/31888460


I personally like #2 better, because it makes me feel like Chili is going somewhere. It evokes the sense of movement.

I find that there are exceptions to this rule, like this photo I took of the moon. I don't think it would have worked as well if I'd applied the Rule of Thirds. Although this is my personal preference, and I'm sure someone could find a way to make this type of photo look great while applying the Rule of Thirds.

http://www4.pbase.com/wendym/image/33283901


An exception I tend to make to this rule is when I'm shooting up-close, portrait style. If you're taking a photo of someone's face, you generally want it centered in the photo. But, if you think about it....a centered face can still follow the Rule of Thirds, since their eyes, mouth could be near the intersecting points that I discussed earlier.


2. Framing a Shot

Nothing ruins a good photo faster than distracting elements (buildings in the background, and unplanned person in your shot, a chair in the foreground..). Don't get so focused on the photo's subject that you forget what else is going on around them. Watch out for poles, trees and power lines, and look all the way around the edges of the frame, asking "Is this what I really want in my photo??"


Distracting background: http://www4.pbase.com/wendym/image/39257358/medium

Same subject, better background: http://www4.pbase.com/wendym/image/31887008/medium


3. Change your angle of view for a change of pace
Try kneeling, or even putting the camera on the ground. Climb a flight of stairs so you're higher than the subject you're photographing. Changing angles provides a fresh perspective, and makes for a more dramatic photograph.


How about this one?? Kinda fun! http://www4.pbase.com/wendym/image/34106488/large


Or this?? Makes me a little dizzy, but it's definitely a different view of a pine tree!

http://www4.pbase.com/wendym/image/33838936/medium


4. Cropping brings a photo to life.

Digital photography is wonderful because you don't have to take the photo as it comes directly out of the camera!!! Look carefully at your photo and think about what you really want people to see, crop everything else away. You can crop away distractions, if you weren't able to remove them in the first place. Experiment!? If you've invested in the equipment (camera, computer, software), then experimentation is FREE!!!!

Here's a mini-rose called "Ruffian".not a bad photo:

http://www4.pbase.com/wendym/image/32185386


But this crop of the same photo is kind of fun, too:

http://www4.pbase.com/wendym/image/32185494


Here are a couple I just posted the other day with my Chili-man as the subject:

Uncropped: http://www4.pbase.com/wendym/image/39158273

Cropped: http://www4.pbase.com/wendym/image/39166614/medium


I like the cropped version better. What do you think?

I hope this is helpful information! The best advice I can give to anyone is simple to take LOTS AND LOTS of photos! See what works for you, see what doesn't! Since you've already invested in the equipment, your photos are free in a sense. It just takes your time!

I'm guessing this is probably what happens out of every 100 photos I take:


5 to10: Instantly deleted due to poor focus, bad composition, bad lighting, etc.
70 to 80: Kept "just in case" although they aren't particularly good...they'll never get shared with anyone.
5 to 15: Pretty decent, Shared via email/online with friends and family
0 to 3: Printed out and shared in real life

I just checked my current camera (the Digital Rebel) and I've taken several thousand photos over the past year..how many have I shared here?? Not very many! There's a reason for that, too, believe me!


Good luck, and happy shooting!

[ 02-01-2006, 04:42 PM: Message edited by: Ardeagold ]
 

ardeagold

New member
Nice little website I found.... There's some nice info here! I really liked the "10 tips" secion....

http://www.betterphoto.com/exploring/tips.asp

Top 10 Techniques for Better Photos:
1. Move in closer
2. Be quick
3. Compose with care
4. Be selective
5. Focus on your subject
6. Experiment in time
7. Look at the light
8. Watch the weather
9. Keep it simple
10. Be Bold

There are great examples for all of these...
 
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